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    <loc>https://www.tjhewer.com/blog</loc>
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    <lastmod>2023-10-30</lastmod>
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  <url>
    <loc>https://www.tjhewer.com/blog/2023/10/30/the-chord-progressions-of-inception</loc>
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    <priority>0.5</priority>
    <lastmod>2023-10-30</lastmod>
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      <image:title>Blog - The Chord Progressions of Inception - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/75369a72-20e1-4da8-86d9-845ec9106e03/dream.png</image:loc>
      <image:title>Blog - The Chord Progressions of Inception - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tjhewer.com/blog/2020/5/11/may-11-2020-mix-meeting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221383449-UI0EBY7BWJEHD7T4H5X8/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 5. SSL-style buss compression, here from Slate Digital. Notice the setting of the HPF, that this compressor unit is looking at frequencies above those in the previous step, since the lows were already dealt with. Brainworx also has a similar plugin with the added HPF (the original hardware didn’t).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589222922466-9FFTUR0T4YFN9M6BYINL/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>The ‘side’ settings of the previous. Thresholds seem to be a bit more aggressive, but now operating at around 50% wetness (Zac said it tended to widen the stereo image further.) The lows have also been rolled off from the side channel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589220523152-9N3NNUMLAOMLXWFKY41K/Screen+Shot+2020-05-11+at+11.13.17+AM.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Here is a 9-track album with overlapping segues, and a reference at the bottom. You can see volume adjustments made to each track, to have the album peak at the right point (track 7 was the loudest). Each track has the same chain of plugins (but with different settings).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589222195984-MJF9NN4L8WWIFEH6MXXJ/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>…then by another Pultec-style EQ (cutting a bit at 2k, which Zac noticed was boosted from the MixCentric), then followed by an aggressive (1176-style?) compressor, operating at 6% (!) wet, to add a bit of weight to the in-between material.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589222640638-GL0MGEMB887KUU3FZPFL/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 1. Izotope’s Ozone 7 multiband compressor in mid-side mode. This is why we hire mastering engineers. Notice the gentle ratios and slow releases.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221173014-FSNPHKYV1WBYQ3C6GFF0/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 3. Subtle shaping with Pro-Q. A slight lift in the bass, which was about to be controlled in the next step.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589223200513-01JQY7OMUWPC9JAOH3RS/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 2. The Pro-Q to do a final low rolloff and top end lift.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589220834153-6ZINCCZLDP0FVAFQK3ZK/Screen+Shot+2020-05-11+at+11.13.35+AM.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>The first two slots were occupied by Pultec EQs, here the Waves emulation. Pultecs are extremely transparent and musical sounding. Here is a slight dip at 500 Hz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221291229-5CHDOVF32YQJBTE4GJ0D/Screen+Shot+2020-05-11+at+11.17.39+AM.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 4. Multiband compression, specifically targeted to control the low dynamics.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221577463-48ERT49RAUJEQC2JR237/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 6. Zac’s favourite tape emulator, which in this case added a bit of width. Pro Tools only. Zac also mentioned the MStereoExpander as a free alternative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589223324347-V305QXFV01K3S3Z1QF4H/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 3. Finally, Ozone 8 to do some dynamic EQ (relaxing of some boomy frequencies), and the maximizer for level. The mode (“IRC IV Classic”) and Threshold was set specifically for the character of the music, to not be too aggressive, but still to add excitement.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221842970-MYA7E6AAR1L519B45B6O/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 7. MixCentric from Waves. A bit of magic?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589221031433-ER5M8SLIUO4I3C7HA48P/Screen+Shot+2020-05-11+at+11.13.36+AM.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 2. Here a very slight lift at 10 kHz. A note that, even when dry, these units still colour the sound passing through it, giving it an analog tone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589222382404-K2YFWCU6AWYPIYYL3R4T/image-asset.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 9. Finally, the popular Soothe plugin, which took care of some whistling frequencies in the upper range, caused by the strings and vocals.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1589222058862-6ZSKJ9YWWCH6B4H6F662/Screen+Shot+2020-05-11+at+11.45.04+AM.png</image:loc>
      <image:title>Blog - May 11 2020 Mix Meeting</image:title>
      <image:caption>Slot 8. The ‘secret sauce.’ Here in the form of a few plugins in a Slate Virtual Mix Rack. The first is console-style saturation, followed by some gain staging…</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.tjhewer.com/blog/2017/5/27/tim-jones-reqiuem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1496086015895-68AV4FYP3NNGU45WQVE1/Section+2.png</image:loc>
      <image:title>Blog - Tim Jones:&amp;nbsp;"Requiem"</image:title>
      <image:caption>Observe how the music abruptly shifts character. Delicate, falling suspensions have been replaced with powerful, triumphant rises. A few chord changes a tritone apart give it an epic, 'space' sound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/1496087582761-2B9KFJWQRUZACQJSVIGK/Section+3.png</image:loc>
      <image:title>Blog - Tim Jones:&amp;nbsp;"Requiem"</image:title>
      <image:caption>As the pilot is recovered, and extracted from his ship by a series of inanimate robots, the wordless vocals return in a soothing, reassuring guise, bringing warmth and emotion to an otherwise lifeless scene. Here, in my opinion, is where the music really shines, because this is where the visual content needs the most supporting. Jones does well to capture the wonder and hope as we piece together and anticipate the next chapter in the pilot's story.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Tim Jones:&amp;nbsp;"Requiem"</image:title>
      <image:caption>A haunting female voice and electronic synth pads capture well the feeling of lamentful drifting in space. Observe how the suspensions are often calculated to result in a strong harmonic colour, such as a flat-nine or flat-thirteen chord.</image:caption>
    </image:image>
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    <loc>https://www.tjhewer.com/blog/2017/1/21/adam-young-the-spirit-of-st-louis</loc>
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    <lastmod>2017-01-21</lastmod>
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  <url>
    <loc>https://www.tjhewer.com/blog/2017/1/7/adam-young-rms-titanic</loc>
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    <lastmod>2017-01-07</lastmod>
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      <image:title>Blog - Adam Young: "RMS Titanic"</image:title>
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    <loc>https://www.tjhewer.com/blog/2017/1/4/adam-young-apollo-11</loc>
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    <lastmod>2017-01-04</lastmod>
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    <loc>https://www.tjhewer.com/blog/tag/Adam+Young</loc>
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  <url>
    <loc>https://www.tjhewer.com/new-index-1</loc>
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    <priority>0.75</priority>
    <lastmod>2024-01-29</lastmod>
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    <loc>https://www.tjhewer.com/cover</loc>
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    <lastmod>2023-05-03</lastmod>
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    <loc>https://www.tjhewer.com/kkeys</loc>
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    <lastmod>2023-11-24</lastmod>
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    <loc>https://www.tjhewer.com/portfolio-old</loc>
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    <lastmod>2019-02-28</lastmod>
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      <image:title>Portfolio (Old)</image:title>
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    <image:image>
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      <image:title>Portfolio (Old)</image:title>
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  <url>
    <loc>https://www.tjhewer.com/sonicblog</loc>
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    <lastmod>2019-06-05</lastmod>
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      <image:title>Sonic Blog</image:title>
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  <url>
    <loc>https://www.tjhewer.com/about</loc>
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    <lastmod>2025-03-28</lastmod>
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      <image:title>About - Make it stand out</image:title>
      <image:caption>Way back in the early stages.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5681afc8d8af1011fc0831fa/73f51ea8-64d1-4ef7-8641-19129cde0e2e/Colour-Balanced+Headshot.png</image:loc>
      <image:title>About - Trevor Hewer</image:title>
      <image:caption>Music that gives wings to stories and ideas.</image:caption>
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  <url>
    <loc>https://www.tjhewer.com/home</loc>
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    <lastmod>2025-03-25</lastmod>
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    <loc>https://www.tjhewer.com/store</loc>
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    <lastmod>2024-05-02</lastmod>
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  <url>
    <loc>https://www.tjhewer.com/store/the-planets</loc>
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    <lastmod>2024-04-18</lastmod>
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      <image:title>Sheet Music - The Planets</image:title>
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    <loc>https://www.tjhewer.com/store/uranus</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Uranus</image:title>
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    <loc>https://www.tjhewer.com/store/paganini-rhapsody-variation-18</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Paganini Rhapsody — Variation 18</image:title>
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    <loc>https://www.tjhewer.com/store/in-the-hall-of-the-mountain-king</loc>
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    <lastmod>2024-04-15</lastmod>
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      <image:title>Sheet Music - In the Hall of the Mountain King</image:title>
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    <loc>https://www.tjhewer.com/store/pluto-ceres</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Pluto &amp; Ceres</image:title>
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    <loc>https://www.tjhewer.com/store/eclipse</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Eclipse!</image:title>
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  <url>
    <loc>https://www.tjhewer.com/store/neptune</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Neptune</image:title>
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  <url>
    <loc>https://www.tjhewer.com/store/saturn</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Saturn</image:title>
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  <url>
    <loc>https://www.tjhewer.com/store/jupiter</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Jupiter</image:title>
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  </url>
  <url>
    <loc>https://www.tjhewer.com/store/mars</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Mars</image:title>
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  <url>
    <loc>https://www.tjhewer.com/store/the-moon</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - The Moon</image:title>
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    <loc>https://www.tjhewer.com/store/earth</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Earth</image:title>
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    <loc>https://www.tjhewer.com/store/the-sun</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - The Sun</image:title>
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    <loc>https://www.tjhewer.com/store/venus</loc>
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    <lastmod>2024-04-17</lastmod>
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      <image:title>Sheet Music - Venus</image:title>
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